| 1. | But in monochrome painting from the cast it is of very little service. - from The Practice and Science Of Drawing by Harold Speed |
| 2. | When you begin studying from the life, proceed in the same way with monochrome studies painted into a middle tone. - from The Practice and Science Of Drawing by Harold Speed |
| 3. | Beginning first with monochrome in three tones, as explained in a former chapter, they might then take for figure work ivory black and Venetian red. - from The Practice and Science Of Drawing by Harold Speed |
| 4. | Now proceed carefully to draw your lights with bread or rubber, and your shadows with charcoal, in much the same manner as you did in the monochrome exercises already described. - from The Practice and Science Of Drawing by Harold Speed |
| 5. | Keep your early work both in monochrome and colour quite solid, but as thin as you can, reserving thicker paint for those occasions when you wish to put a touch that shall not be influenced by what you are painting into. - from The Practice and Science Of Drawing by Harold Speed |